Visit Clà Ferrovia in the Alvra family compartment on the Albulaline. On the way, he will tell you about his latest experiences and you can try out a few games, solve puzzles or just marvel out of the window together.

Data:
- 10, 17, 24, 31 July 2025
- August 7, 2025
- October 9, 16, 2025

You can meet Clà Ferrovia at the following times*:
- Chur from 09.58 a.m., Clà is in the Alvra family compartment until Bergün (11.13 a.m.)
- 11.30 a.m. – 12.00 p.m. Visit to the children's tour at the Albula Bergün Railway Museum
- Bergün from 1.13 p.m., Clà is in the Alvra family compartment until St. Moritz (1.53 p.m.)
- St. Moritz from 3.07 p.m., Clà is in the Alvra family compartment to Chur (5.04 p.m.)
*Subject to change

This is not an adventure extra trip, but Clà is a family compartment on the Alvra InterRegio train. To accompany Clà, you don't need to register or have a special ticket, just a valid ticket for you and your companion.

Clà is looking forward to your visit!

In summer, RhB children's conductor Clà Ferrovia is out and about in the Rhine Gorge. This scenic train route passes through some of the most beautiful scenery in Switzerland and offers breathtaking views of the steep cliffs and the turquoise Rhine.

You can meet Clà Ferrovia at the following times*:

- Chur departs 09.55 a.m., Disentis arrives 11.11 a.m.
- Disentis departs at 11.44 a.m., Domat/Ems arrives at 12.53 p.m.
- Domat/Ems departs 2.01 p.m., Ilanz arrives 2.33 p.m.
- Ilanz departs 3.24 p.m., Chur arrives 4.02 p.m.

*Subject to change

This is not an adventure extra trip, but Clà is on the regular train. To accompany Clà, you don't need to register or have a special ticket, just a valid ticket for you and your companion.

Clà is looking forward to your visit!

Shostakovich to the power of two, Demenga to the power of two! The renowned Bernese brothers with roots in Graubünden present both cello concertos written by Dmitri Shostakovich and thus a concert evening full of intensity and drama. The dancing virtuosity of the first concerto (Patrick Demenga) contrasts with the darkness and depth of the second (Thomas Demenga). Together, the two works provide a fascinating insight into the emotional world of the great Russian composer during the thaw period after Stalin's death. The concert evening will open with Igor Stravinsky's Pulcinella Suite from the neoclassical ballet of the same name, based on a Neapolitan story.

Program:
Igor Stravinsky: Pulcinella Suite
Dmitri Shostakovich:
Concerto No. 1 for Violoncello and Orchestra, op. 107
Concerto No. 2 for violoncello and orchestra, op. 126

Would you like to take part in something at the Chur Theatre? Playing the rooms in a "different" way? Would you like to cook and eat together with others at the Chur Theatre? "Chadafö" is a project in which people from the Chur Theatre use the house with guests for an interim period in a different way than is usually the case. Cooking and eating together can be a start. Maybe we are not in a position to discuss much with each other, but we can do something.

If you are interested, please contact Seraina Dür: seraina.duer@theaterchur.ch.

In 2025, the "Reguladonnschtig" will deal with the topic of "Protestant identity(s)", i.e. also with the ambivalence of what "Protestant" thinking and acting actually is.

We would like to do this from different perspectives: We ask ourselves why people are involved in the church, why others are less so, and yet have a "Protestant" concern. People of different stripes will have their say to talk about the meaning of the "Protestant" from the point of view of singing, art, church, theology, social work, etc. And last but not least, we want to ask ourselves what it means to be "Protestant" in the future.

In 2025, the "Reguladonnschtig" will deal with the topic of "Protestant identity(s)", i.e. also with the ambivalence of what "Protestant" thinking and acting actually is.

We would like to do this from different perspectives: We ask ourselves why people are involved in the church, why others are less so, and yet have a "Protestant" concern. People of different stripes will have their say to talk about the meaning of the "Protestant" from the point of view of singing, art, church, theology, social work, etc. And last but not least, we want to ask ourselves what it means to be "Protestant" in the future.

In 2025, the "Reguladonnschtig" will deal with the topic of "Protestant identity(s)", i.e. also with the ambivalence of what "Protestant" thinking and acting actually is.

We would like to do this from different perspectives: We ask ourselves why people are involved in the church, why others are less so, and yet have a "Protestant" concern. People of different stripes will have their say to talk about the meaning of the "Protestant" from the point of view of singing, art, church, theology, social work, etc. And last but not least, we want to ask ourselves what it means to be "Protestant" in the future.