The postal bus station at Chur train station is one of the city's most striking buildings. The imposing glass dome has been built in 1993 by architects Richard Brosi and Robert Obrist, provides shelter for passengers and buses in all weathers and serves as a starting point for many interesting rides aboard the yellow buses. At night, the structure is illuminated by spotlights, lighting up the centre of Chur. There is also a gently domed glass and steel structure over the platforms of Chur station. In its appearance, the 300 m long span of the unsupported glass roof is reminiscent of railway halls from the 19th century.

The complex of the Catholic Heiligkreuzkirche (Church of the Holy Cross) and the adjoining parish centre occupies a prominent position at the Masanserstrasse/Giacomettistrasse road axis in the Masans district of Chur. It was built in 1966-69 by Walter M. Förderer and is one of the most important exposed concrete religious buildings in Switzerland. Both the nave and the massive tower have a clear, tiered structure that make the building look like a large expressive sculpture. The column-free, gradually opening semi-circular main room is mostly indirectly lit, which makes it seem like a rock cave.

The Renaissance castle at the foot of the Calanda is the highlight of Haldenstein. When the roses flower in the spring, the castle garden is a visual and olfactory feast.
Haldenstein Castle was built in the 16th century and is included in Switzerland's inventory of art and cultural-historical protected items. The public castle gardens are one of the most beautiful attractions in the Chur region. Each year, these park-like gardens, surrounded by an impressive wall crowned with battlements, and the beauty of the blooms, bring joy to the hearts of the many visitors.

The Swiss saying, “The post is here”, is underscored architecturally in Chur in a striking fashion. The post office building, designed by architects Jean Béguin and Theodor Gohl, was constructed between 1902 and 1904 and is the largest Neo-Renaissance edifice in the city. The fact that it also bears a resemblance to other post office buildings in Switzerland is no coincidence; at that time, the so-called “Federal Renaissance” was strongly promoted by the Swiss government. The imposing appearance of the building is further enhanced by the intricate decoration on the façades and the figures on the roof by Geneva artist James Vibert. Today the building houses the municipal library and a café.

Occasionally politics and theatre seem to be the same thing. But here in Chur they merely share the same roof. The architect, Johannes Ludwig, who also designed the Bündner Kunstmuseum, built an armoury on this site between 1861 and 1863. Its rounded arches are typical of the architectural style that preceded the height of the Neo-Renaissance period and predominantly drew on the Italian Medieval era. The conversion of the former armoury to accommodate the Cantonal Parliament and the municipal theatre was carried out in 1959 accordingto the plans by the architect, Martin Risch.

The Bündner Kunstmuseum (Graubünden Museum of Art) consists of two buildings - the neoclassical Villa Planta from 1875 and the extension by the architects Barozzi & Veiga from the 2016. The Villa Planta is one of the most important 19th-century buildings in Graubünden and one of the most magnificent works by the architect Johannes Ludwig. With its partially sumptuous decor, it stands in contrast to the striking yet simple new building. The Palladian style and the Orientalist building design that constitute the essential characteristic of the Villa Planta are taken up and given new architectural expression by the extension building.

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Openness, brightness, transparency - these were factors that were set as criteria for the creation of the Würth company building. The Chur-based architectural firm commissioned with the building, Jüngling & Hagmann, has implemented these factors to perfection, creating an impressive building that creates a stir for miles around. The separate body of the new administrative Würth holding company building is a light, transparently decorated space connected to the extensive parkland and integrated into the open spaces of the natural environment as a free-standing building. The publicly accessible Würth Chur Forum is also housed in the building.

This late Gothic building was constructed in the 15th century. Both the main steps and the entrance doors, with their decorative architrave, date back to this period. Some two centuries later, in 1654, the building was renovated and extended, employing the baroque stylistic devices of the day. The interior reveals magnificently furnished rooms. These include a spacious garden room, the “Sala terrena”, on the ground floor and, on the first floor, a room with a baroque stucco ceiling and, adjoining it, a late Gothic room with well-preserved wall panels from the late 15th century.

The architecture of modern banks is usually clear-cut and cool, and thus often detached from its surroundings. However, this is certainly not the case with the head office of the Graubünden Cantonal Bank; erected between 1909 and 1911, the building by architects Otto Schäfer and Martin Risch is a veritable icon of the “Bündner Heimatstil” movement. Its close ties with Graubünden are in evidence right down to the smallest detail; wherever you look there are motifs from local folklore. In the main hall is a wall painting by the Chur artist, Christian Conradin, depicting Graubünden’s economy.